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The song was covered by CeeLo Green with Jack Black and The Vamps for the Kung Fu Panda franchise. the one-hit Wonders, for which Carl Douglas performed the song in a live concert. "Kung Fu Fighting" was rated number 100 in VH1's 100 Greatest one-hit wonders, and number 1 in the UK Channel 4's Top 10 One Hit Wonders list in 2000, the same channel's 50 Greatest One Hit Wonders poll in 2006 and Bring Back. The song uses the quintessential Oriental riff, a short musical phrase that is used to signify Chinese culture. It eventually went on to sell eleven million records worldwide, making it one of the best-selling singles of all time. It received a Gold certification from the RIAA in 1974 and popularized disco music.
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It was released as a single in 1974 on the cusp of a chopsocky film craze and rose to the top of the British, Australian, Canadian, and American charts, in addition to reaching the top of the Soul Singles chart. “We knew it was campy and silly and over the top,” he said, “but we also knew it can be appreciated from a modern-day sensibility in a different way." Kung Fu Fighting" is a disco song by Jamaican vocalist Carl Douglas, written by Douglas and produced by British-Indian musician Biddu. Spieler believes that the intervening decades may actually have done “New York Ninja” some favors. “This was how I could maintain the spirit of the original.” (In fact, he didn’t let himself look at Morano’s original shooting script until he completed his own version.) “I asked myself, ‘If my job was to have been an editor in the 1980s, what would I have done?’” he said. Vinegar Syndrome originally floated the possibility of filming new scenes, but Spieler was intent on working with what they had. “The ending doesn’t feel like it was ever finished,” he said. While it’s impossible to know for sure, Spieler said he suspects Liu wasn’t able to complete filming before the production shut down. “We’re not trying to play up the silliness because it already comes through naturally.” “We’re playing this straight,” said Spieler, who compared the final result to “Miami Connection,” “Samurai Cop” and other so-bad-they’re-kind-of-extraordinary titles. Or, if not exactly serious, at least not too campy. “It seemed like fun - which is wild because I think they kind of wanted it to be serious.”
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“They said, ‘You’re playing the reporter, do what you want with it,’” Quigley said.
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the Dragon, and Cynthia Rothrock in the recording booth was the 1980s scream queen Linnea Quigley (“Return of the Living Dead”), who here dubs the voice of the frequently imperiled TV reporter Randi Rydell. Poggiali described the final result as “very different from a lot of the other ninja movies at the time.” As Liu’s character frequently slips away from his co-workers to put on his New York Ninja garb and then returns as if nothing had happened, “it’s more like a crime-fighting superhero film, like Clark Kent and Superman.” “My feeling is that they just kind of winged it,” he said. But Morano’s original shooting script, the only one known to exist, still alluded to “Detective Dolemite,” which made Morano wonder just how scrupulously the script was being followed. For example, the poster for the film “Hammerfist” billed Liu as Marty Lee.īy the time shooting on “New York Ninja” began in late 1984, one actor no longer attached to the project (if he ever really was in the first place) was Rudy Ray Moore. This meant changing Liu’s name on the posters. “At the time, the studios were doing anything they could to tie in with Bruce Lee,” Poggiali said. The huge popularity of Bruce Lee put a ceiling on just how familiar audiences were with Liu’s name, according to the film historian Chris Poggiali, a co-author of the new book “These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World.” When he arrived in New York, John Liu was already a cult figure in martial arts circles, known for his high kicks and his collaborations with the fight choreographer Yuen Woo-ping, who went on to work on films like “The Matrix” and “Crouching Tiger, Hidden Dragon.”